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Manifest Destiny 1801-1861

Seal Rock, Farralon Islands

“Seal Rock, Farralon Islands,” c. 1871
Oil on Canvas
4 3/4 x 7 3/4 inches

http://warnerfoundation.org/wp-content/uploads/2019/01/139_Bierstadt_Albert_SEAL_ROCK_FARRALON_ISLANDS.mp3

Click above to hear Jack Warner’s audio of the painting.

Donnor Lake

“Donner Lake,” c. 1871
Oil on Canvas
13 × 30 inches

http://warnerfoundation.org/wp-content/uploads/2019/01/137_BierstadtAlbert_DONNER_LAKE.mp3

Click above to hear Jack Warner’s audio of the painting.

Seal Rock California

“Seal Rock California,” c. 1870
Oil on Paper Mounted on Canvas
48 × 60 inches

ALFRED JACOB MILLER (1810-1874)

“An Indian with the Scalp Lock of His Enemy,” c. 1837
Watercolor, Gouache, & Pencil
9½ x 7 13/16 inches

“Antelope Head,” c. 1858
Watercolor
5 1/2 x 7 1/2 inches

“Argali (Female) – Rocky Mountain Sheep on Scott’s Bluff,” c. 1837
Pen and Ink
5 3/4 x 7 1/2 inches

“Benjamin Franklin,” 1847
Oil on Canvas
17 x 14 inches

** Audio Available

“Bow Exercise, Indian Boy” 1850
Watercolor with Pencil, Pen, and Ink
5 1/4 x 3 3/4 inches

“George Washington” c. 1847
Oil on Canvas
17 x 14 inches

“Pierre and the Buffalo (A Tumble at the Kill),” 1858-1860
Oil on Cardboard
7 x 9 inches

“Racing at Fort Laramie,” c. 1868
Oil on Canvas
31 x 48 inches

“Reverie“
Oil on Canvas
6 x 9 3/4 inches

“The Lost Greenhorn,” c. 1851
Oil on Canvas
16 x 20 inches

“The Thirsty Trapper,” c. 1850
Oil on Canvas
24 x 20 inches

“Trappers Around a Campfire,” c. 1839
Oil on Canvas
38 1/4 x 32 1/8 inches

Hunters in a Landscape

“Hunters in a Landscape,” c.1825
Oil on Canvas
 22 x 28 inches

Catskill Mountain House

Property of Warner Foundation
“Catskill Mountain House,” c.1846
Oil on Canvas
 24 x 32 1/2 inches

The Catskill mountain House was executed in 1846, almost certainly the last of several images that Cole had painted of his historic destination. Opened in 1824, Catskill Mountain House was situated on a high palisade overlooking the Hudson River and attracted the elite of American society in the early years of the nineteen century. In Cole’s painting, the Mountain House towers over the landscape like a temple in the wilderness, with its thirteen colossal Corinthian columns rendered in particular detail. Cole paints himself at the base of the Mountain. The landscape, although partially tamed by the Mountain House, retains a strong sense of the wilderness that enamored Cole throughout his career. This painting remained until the 1950s in the family of Mr. Charles Beach, the proprietor.

  Click here to read the historical context of the painting prepared by History Teacher Greg Balan

Click here for a lesson plan focusing on Expansion and Industrial Transition in Antebellum American Society, using Catskill Mountain House for historical context.

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