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Object Date

HOMER, WINSLOW (1836-1910)

“A High Sea,” 1884
Charcoal on Paper

“Picking Flowers,” 1881
Water, Gouache, & Pencil
10 x 16 1/2 inches

** Audio Available

“Rowing at Prout’s Neck,” c. 1887
Watercolor on Paper on Board
14 1/4 x 20 1/4 inches

** Audio Available

“Sailboats Off the Coast of Ten Pound Island,” c. 1880
Watercolor on Paper on Board
9 3/8 x 13 3/8 inches

** Audio Available

“The Backrush,” 1895
Oil on Canvas 
22 x 29 inches

** Audio Available

 

“The Noon Recess,” c. 1873
Oil on Canvas
9 1/4 x 14 1/8 inches

** Audio Available

WILLIAM MERRITT CHASE (1849-1916)

“Copper Pitcher and Brass Bowl,” c.1915
Oil on Panel
18 x 24 inches

“The Jester,” c.1875
Oil on Panel
22 x 36 inches

**Audio Available

“Pot Hunter,” c. 1895
Pastel on Canvas
22 x 39 inches

“Portrait of the Artist’s Daughter,” c.1897
Oil on Canvas
48 x 60 inches

**Audio Available

“Still Life, Brass and Glass,” c.1887
Oil on Canvas
48 x 60 inches

** Audio Available

“Young Girl on an Ocean Steamer,” c. 1884
Pastel on Paper
20 x 30 inches

MARY CASSAT (1844-1926)

“Boy Standing in Tall Grasses,” c. 1875
Oil on Canvas
10 x 15 inches

**Audio Available

“Denise and her Child Holding a Mirror,” c 1905
Oil on Canvas
7 1/4 x 9 1/4 inches

“In the Hand Mirror – Etching,” c. 1915
4 5/8 x 7 5/8 inches

**Audio Available

“Kneeling in an Armchair,” c. 1903
4 1/2 x 7 1/4 inches

“Gardner Held by His Mother,” c. 1873
10 3/4 x 7 1/2 inches

“A Floppy Bonnet,” c. 1915
6 x 5 3/4 inches

“The Bare Footed Child,” c. 1905
12 1/2 x 9 inches

Hunters in a Landscape

“Hunters in a Landscape,” c.1825
Oil on Canvas
 22 x 28 inches

Catskill Mountain House

Property of Warner Foundation
“Catskill Mountain House,” c.1846
Oil on Canvas
 24 x 32 1/2 inches

The Catskill mountain House was executed in 1846, almost certainly the last of several images that Cole had painted of his historic destination. Opened in 1824, Catskill Mountain House was situated on a high palisade overlooking the Hudson River and attracted the elite of American society in the early years of the nineteen century. In Cole’s painting, the Mountain House towers over the landscape like a temple in the wilderness, with its thirteen colossal Corinthian columns rendered in particular detail. Cole paints himself at the base of the Mountain. The landscape, although partially tamed by the Mountain House, retains a strong sense of the wilderness that enamored Cole throughout his career. This painting remained until the 1950s in the family of Mr. Charles Beach, the proprietor.

  Click here to read the historical context of the painting prepared by History Teacher Greg Balan

Click here for a lesson plan focusing on Expansion and Industrial Transition in Antebellum American Society, using Catskill Mountain House for historical context.

Autumn Landscape

“Autumn Landscape,” c.1837
Oil on Canvas
 29 x 47 inches

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