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JC Carter

April E-Newsletter

May 1, 2023 by JC Carter

Happy April to dear friends of the Warner Foundation!

This month we have chosen Catskill Mountain House by Thomas Cole for a belated celebration of Earth Day! Due in part to the work of Thomas Cole and his followers in the Hudson River School who depicted the remoteness and splendor of the American interior, we have today, a National Park System that encompasses 424 sites and 84 million acres of land. 

Catskill Mountain House was the 7th Thomas Cole painting in the Jack Warner collection and could be technically considered one of Cole’s best, as it was painted at the peak of his career in 1846. (Jack’s 1st Thomas Cole acquisition was “Katterskill Falls”, purchased in the late 1970s, just as the artist was being re-discovered!) I remember vividly when Jack discovered this Mountain House painting at Christie’s in December of 2003. He stood speechless gazing at it for what seemed like hours, transfigured by its brilliant colors and transcendental beauty. When he finally spoke to me, his exact words were: 

“That’s America, the Shining City on the Hill!”

Jack proceeded to explain to me that the 13 Corinthian columns represented the 13 colonies and that the Mountain House was a metaphor for a shining temple from which America had been spiritually guided in its westward expansion. Jack was a true believer in the concept of American Exceptionalism and to him Cole was a kindred spirit.

In suggesting this new title for his new painting, Jack was of course referring to a famous quote from the sermon “A Model of Christian Charity.” given by John Winthrop In 1630, in which he described the expectation that the Massachusetts Bay colony would shine like an example to the world. 

“For we must consider that we shall be as a city upon a hill. The eyes of all people are upon us. So that if we shall deal falsely with our God in this work we have undertaken, and so cause Him to withdraw His present help from us, we shall be made a story and a by-word through the world.”

In celebrating Earth Day and the American landscape, I hope we will also celebrate the spirituality that has historically been a source of strength and guidance for American artists, pioneers, and leaders. We still are that shining city on the hill to which so many new immigrants clamor to enter! And the eyes of the world are still upon us, hoping that America will continue to be a beacon of hope, freedom, and opportunity shining throughout the world.

Be sure to see the article and video below of Jack Warner at auction to purchase this exquisite piece.

Our historian, Greg Balan, has again provided us with more historical context on the Catskill Mountain House and Cole’s message. Click on the button below to learn more

Warmly,

Susan G. Warner

Chair, Warner Foundation

To read the full e-newsletter, please click here.

Filed Under: Newsletter

Foundation Spotlight: March 2023

March 20, 2023 by JC Carter

Hello and Happy Spring!  Thank you for the wonderful feedback on our first newsletter last month.

In this second newsletter, we are presenting the painting “Colonial Wedding” by Edward Lamson Henry (1841-1919), one of America’s leading historical genre painters. This painting was acquired by Jack Warner from a New York gallery in 1980 and remained one of his favorites over the next 37 years.  He loved it because it depicts not only the promise of America as a new beginning but also the metaphor of America as a “melting pot” implying the successful intermarriage of diverse cultures and ethnicities. 

This great painting is as relevant to a divided America today as it was to America in the tumultuous and rapidly changing years following the Civil War.   The Colonial Revival, sparked by the Centennial celebrations of 1876 and lasting through the 1930s, brought a new awareness of America’s past and helped re-create a sense of unity and national identity.  Created during this period, Henry presents a nostalgic, yet historically accurate depiction of a fashionable Colonial wedding in which the newlywed couple, setting off by horseback, seem to represent America’s future.

This painting reminded Americans then, and is capable of reminding Americans today, of who we are!  It reminds us that America has always represented the promise of a new beginning, the blending of new and old cultures and the fulfillment of spiritual as well as material ideas and aspirations. 

To learn more about the history in this painting and related primary source documents researched by noted historian Gregory Balan, Click here.

To see a sample inquiry-based lesson plan using this painting to teach the history of the Colonial Period and the development of an American Sense of Identity, click here.

We look forward to hearing from you and hope you will share this newsletter with others interested in the understanding of American History through Art. Also, if you know someone who would enjoy receiving our newsletter, we’ve added a form on our site to join the newsletter. Click here to view.

Susan G. Warner

Chair, Warner Foundation

Click here to read our full March e-newsletter.

Filed Under: Newsletter

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